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Peter Paul Rubens Daniel oil painting


Daniel
Painting ID::  52987
Peter Paul Rubens
Daniel
mk225 1613 224x3300cm

   
   
     

Peter Paul Rubens Daniel oil painting


Daniel
Painting ID::  52988
Peter Paul Rubens
Daniel
mk225 1613 50x29.9cm

   
   
     

Peter Paul Rubens Standing lion oil painting


Standing lion
Painting ID::  52989
Peter Paul Rubens
Standing lion
mk225 1613 25.4x28.2cm

   
   
     

Peter Paul Rubens Lion oil painting


Lion
Painting ID::  52990
Peter Paul Rubens
Lion
mk225 1613 39.6x23.5cm

   
   
     

Peter Paul Rubens Aklixi standing between her daughters oil painting


Aklixi standing between her daughters
Painting ID::  52991
Peter Paul Rubens
Aklixi standing between her daughters
mk225 1617-1618 28.5x26.3cm

   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

     Related Artists::.
     | Ion Theodorescu Sion | Charles Lock Eastlake | Floris van Dijck |


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